The second reason why I moved it into the warehouse, was that it seemed more organic for them to spot Darryl in there as opposed to in the alley next to the building.
tanster: One of my favorite shots was of Dwight and Jim looking out into the office through the blinds, the way Michael and Dwight used to do. You mentioned that was an intentional homage to “Gay Witch Hunt.” What other scenes paid tribute to past Office episodes?
David: I did shoot from the same side of the room as Jim’s farewell to Michael, which was behind Dwight’s left shoulder and John’s right, but the scene wasn’t meant to look the same beyond shooting from that angle. However, when Jim and Dwight look out into the bullpen at their fellow workers, deciding to start the A.A.R.M. challenge, I did intentionally block the actors and recreate the same shots from “Gay Witch Hunt” when Michael and Dwight looked out into the bullpen to try to determine if anybody was gay.
I also really liked in The Delivery when you see the cop drive along side Dwight from through his car windows and I wanted a similar shot to be the reveal for him pulling over Angela.
Ginger: As the director, how much control did you let the actors/actresses have in this episode, knowing that the series is coming to a close?
David: I tackled this the same as every other episode I’ve directed, which is that I always give it my all, it’s the most important thing I do, and I prepare, prepare, prepare to be as ready as I can for anything that comes up. But because this was such a milestone of an episode and the plot points were so huge, I could not help but be aware of the stakes and the pressure to hit not only a home run, but a grand slam.
The script was dynamite to begin with — it was an incredible table read — so then it just becomes about the best way to execute the vision and the most creative, fun ways to make the episode as great as it can be.
We always will shoot and perform the “as-scripted” scenes and then we have the freedom to try different things and different jokes. The cast has such chemistry and improvisational skills, that one actor can go off script and another will immediately adapt and go off with them in the same direction.
And if they’re onto something, if it’s working, then they’ll refine and sharpen it for the next take. Everybody contributes, the actors have insight and great ideas and they’ll listen to the Director, the Writer, and themselves to make the best scenes possible.
Jammer: Loved the Dwight painting, and the Mose and Dwight painting. Who painted them, and will NBC sell poster copies of them?
David: We have a terrific artist we work with named Jules Kmetzko. She has done other work for us throughout the series, including Pam’s watercolor of the Dunder Mifflin building that hangs on the wall in the bullpen.
GKCfan: How did you select which three celebrities would be the judges on the talent show?
David: We reached out to a small group of celebrities that we thought would be good and Clay Aiken and Santigold were game. Brian Baumgartner asked his buddy Aaron Rodgers if he was interested, and the rest is history!
When I heard Mark McGrath was available to play the host who gives Andy and the people on line the rundown, I was ecstatic! They were all fantastic to work with and really hit it out of the park! I had no idea how cool or tall Clay Aiken is until I got to meet him and film his scene!